Piano (Italian: pianoforte; German: Klavier;) is a keyboard instrument in Western classical music. It was formerly known as harpsichord and harpsichord. It is commonly used for solo, ensemble, Lebensechte Sexpuppen accompaniment and other performances, and is used for composing and rehearsing music. Very convenient. The player presses the keys on the keyboard, moves the felt-covered mallet inside the piano, and then strikes the steel strings to produce sound. The piano has a wide sound range, a loud, crisp tone, rich variety and strong expressiveness. When playing solo, it can play a variety of majestic, broad, and lyrical music, and it can also play cheerful, dexterous, and highly technical cadenzas. It can play a huge role in the band and is often used as an accompaniment instrument. The piano is called the "king of musical instruments" because of its rich ability to express music theory.
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Clavichord

Before the invention of the modern piano, there were already two similar keyboard instruments in the Baroque era.Sex Doll One is the harpsichord (also known as the harpsichord). The sounding principle of these types of harpsichords is similar to that of plucked instruments such as guitars. A mechanical transmission device is used to drive a small arm that plucks the strings and is driven by a quill or a leather plectrum. The disadvantage of plucking the strings is that there is no way to control the intensity and the volume is always the same. The other is the harpsichord (also known as the harpsichord), which is smaller and uses a copper hammer to hit the strings. Unlike the piano, the hammer does not leave the strings immediately, but remains on the strings. Pressure until your fingers leave the keys, so the clavichord can control the volume with your fingers, and can have subtle changes. The tone is full of singing.Beste Sexpuppen The disadvantage is that the volume is very small, and it is only suitable for home use.
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The development of art songs in the 17th century put forward increasingly higher requirements for accompaniment instruments. The sound of the violin was too thin, the technical requirements of the lute were too high and difficult to master, and the timbre and volume of various fortepianos were unsatisfactory.
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After summarizing the advantages and disadvantages of the harpsichord and the harpsichord, the harpsichord maker Christofori trial-produced a keyboard instrument with an added hammer device in about 1709. It was similar to the original harpsichord. The key difference is the mechanism of the action: the hammer strikes the string and immediately bounces away, causing the string to continue vibrating until your finger leaves the key;Mollige Sexpuppen and the hammer does not bounce back and forth after it bounces, and at the same time it can quickly of repeated keystrokes. In the subsequent development of the piano, these elements were retained and continuously improved. It also solved the defect of being unable to control the playing volume at will. Cristofori named it "gravicembali col piano e forte" (gravicembali col piano e forte). [2], This instrument is also the clavichord. Cristofori made about 20 pianos, and there are still three in the world: one made in 1720, four octaves, now in the Metropolitan Museum of Art in New York, USA[3]; one made in 1726, four octaves Half an octave, now in Leipzig, Germany; one made in 1722, now in Rome, Italy.Mini Sexdoll
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Silbermann
In 1711, Italian writer Scipione Maffei wrote an article introducing the new instrument, including a less than accurate diagram of the mechanism. [4] This article was widely circulated in Western Europe, and many craftsmen made pianos based on it. In 1726, the German organ maker Gottfried Silbermann (1683-1753) also built a piano based on this article, and added a manual stop similar to the sustain pedal of a modern piano, which can raise the strings. sound dampener. In the 1730s, Silbermann introduced the piano he made to Bach, but Bach did not like it at the time, complaining that the treble was too weak and the dynamic range was not wide. Later, Silbermann made further improvements. In 1747, Bach visited Berlin, tried Silbermann's piano and praised it. Silbermann had many students who made significant contributions to the early development of piano, among whom 12 important ones were called the "Twelve Apostles." Some people immigrated to Britain, and two different manufacturing schools gradually formed in German-speaking countries and Britain.
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Viennese action

In the late eighteenth century, pianos were increasingly manufactured. Silbermann's student Stein (1728-1792) began making pianos in Augsburg, Germany. Stein pianos have a backward-facing hammer that is much more sensitive to touch force than modern pianos. Mozart visited Augsburg in 1777 and tried out Stein's piano (at that time, the Stein piano canceled the escapement of the Cristofori piano). Later, in a letter to his father, Mozart said The Stein piano was praised for its balanced sound and exquisite workmanship, but also pointed out the lack of an escapement. Stein later made improvements, invented the Prellmechanik action, added an escapement mechanism, and perfected the sustain pedal. Stein's daughter Nanette Streicher and son-in-law Johann Andreas Streicher continued the piano manufacturing business in Vienna. They were friends of Beethoven, who owned a Streicher piano.
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There were other piano makers in Vienna at the same time, including Anton Walter, who made pianos that were louder than the Strecher pianos. Walter was a friend of Mozart, and Mozart purchased a Walter piano in 1781. There was also Conrad Graf (1782-1851), who built Beethoven's last piano and also opened Vienna's first mass piano manufacturing company. These pianos developed in German-speaking countries are called Vienna action pianos. In addition to the triangle, Vienna action pianos also have square pianos. Viennese action pianos use a wooden frame, each note has two strings, and the hammer is wrapped in leather. The colors of the white keys and black keys of the keys are opposite to those of modern pianos. The sound is weaker than that of modern pianos, and the contrast is clear. The reverberation time is shorter.

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